Tuesday, January 15, 2008

Tribute to Selim Al Deen

Bangladesh has sadly lost one of its best stars. Professor Selim Al Deen, a legendry drama icon, passed away on January 15th at the age of 58. Daily Star reports, "Selim, a pioneer of theatre movement in Bangladesh, a researcher, an organiser and a professor of Department of Drama and Dramatics at Jahangirnagar University, was born in Shenerkhil village of Shonagazi upazila of Feni on August 18, 1949". "Bangla drama literature can be categorised into three eras -- the Girish era, the Shishir era and the Selim era. The Selim era has come to an end today," said Rahmat Ali, associate professor of Theatre and Music Department at Dhaka University.

Golam Kuddus, general secretary of Sammilito Sanskritik Jote, said, " Selim Al Deen started the modern drama movement and he is one of the best playwrights in Bangla literature."

Atiqul Haque Chowdhury, producer of Selim's first TV drama 'Ghum Nei' on BTV, said, "He was a world-class playwright and had contributed immensely to the Bangla literature. Shunning the western style, he gave a modern approach to the eastern drama. Bangladesh will not get a Selim Al Deen often."

Selim was a founder member of Dhaka Theatre. He along with Nasir Uddin Yusuf formed Bangladesh Gram Theatre in 1981-82 and Selim was its chief adviser.

His first article 'Negro Literature' was published on the literature page in the 'Dainik Pakistan' in 1968. His first radio drama ' Biporit Tomoshay' was broadcast in 1969 while his first TV drama 'Ghum Nei' in 1970.

He also compiled 'Bangla Natyakosh' -- the lone drama related anthology in Bangla. Selim Al Deen's drama is included in textbook curriculum of Dhaka University, Jahangirnagar University Jadavpur University and Rabindra Bharati University in India. He was also the originator of Fusion Theory and New Ethnic Theatre. Read Syed Badrul Ahsan's column paying respect to Professor Selim Al Deen.

Watch Professor Selim Al Deen's interview at NTV on the 50th program of Ki Kotha Tahar Sathe presented by Imdadul Haque Milon:

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